This is the only time in your life when you will read good news that starts with " pursuant to our previous communication...".
Yesterday I tested out the Nissin i40 flash with my Fujifilm X-10 here at the shop. Today I gave it a further wring-out in Stirling Street in bright sunlight. Make no mistake about that - Western Australian sun is bright and hot, as you'll have found out yesterday.
The sun plays hell with exposures when you need to get detail into deep shadow areas - hence the use of fill-flash for this time of day. The Nissin i40 has a setting called Slave Digital that takes its command from a digital camera's on-board flash. You set it up for whatever power you want and then hold the flash out to wherever you think you need fill from.
But does it work if the camera's flash is just a dinky little thing and there is an overwhelming external light? Wouldn't that be the worst possible scenario? Well, have a look.
Even in the toughest test the i40 responded. In the past I have had to cobble up shades and put slave flashes in improbable positions to get communication, but this one just goes off when wanted without fuss. And I know that if it will work in Stirling Street at 10:30 AM in summer, it will work every blessed where.
